Mosquera's rock ire ; : unraced. 1st dam mosquera ger ; , won 5 races at 2 and 3 years in germany and 66, 078 including kolner fruhjahrs stuten preis, cologne, l. and kolner stuten meile, cologne, l., placed 3 times including third in prix de psyche, deauville, gr.3 and schlenderhaner stutenpreis, hamburg, l.; own sister to macara ger dam of one winner from 2 runners and 3 foals of racing age vizbonanza ire ; 2002 c. by danehill usa , won 1 race at 3 years, 2005 and 8666 and placed 4 times, all his starts, died at 3. in the act ire ; 2003 f. by in the wings ; , ran a few times at 3 years, 2006. mosquera's rock ire ; 2004 f. by rock of gibraltar ire , see above. she also has a 2005 filly by peintre celebre usa ; . 2nd dam midnight society usa ; , won 2 races in u.s.a. and , 732 including caintuck-ee stakes, ellis park, placed second in clipsetta stakes, turfway park, l., cottonwood stakes, ellis park, l. and third in alcibiades stakes, keeneland, gr.2; own sister to imp be nimble usa dam of eight winners from 8 runners and 9 foals of racing age includingmadresal ger ; c. by lomitas gb , won 6 races at 2 to years, 2005 in germany and 99, 873 including muller brot-reimer meile, munich, l. and excelsior hotel ernst meile, cologne, l. twice ; , placed second in jaxx pokal, hamburg, gr.3, g. p. der freien hansestadt bremen, bremen, gr.3, premio bereguardo, milan, l., orakel der dreijahrigen, mulheim, l., kolner fruhjahrs meile, cologne, l. twice ; , third in capgemini badener mile, baden-baden, gr.3, wettannahmen springer meile, cologne, gr.3 and preis des casino baden-baden, baden-baden, l.; also placed once over jumps in germany. macara ger ; f. by acatenango ger , won 3 races at 2 and 4 years in germany and placed 3 times including third in premio dormello, milan, gr.3. maramara gb ; f. by the wings ; , won 2 races at 3 years in germany, placed 4 times including third in preis des fordervereins kolner rennen, cologne, l. midday girl ger ; , won 3 races at 2 years in germany; dam of winners. macanillo ger ; , 1 race at 4 years in germany and placed 4 times. mistrato ger ; , won 2 races at 3 years in germany. mesquita ger ; , won 1 race at 3 years, 2005 in germany and placed twice. macuna gb ; , won 1 race at 3 years, 2006 in germany. 3rd dam nimble tudor usa ; , unraced; own sister to plumb grey usa dam of four winners from 8 runners and 13 foals of racing age includingimp be nimble usa ; , won 3 races in u.s.a. placed third in ellis park debutante stakes, ellis park, l.; dam of winners. the next dam plumb dumb, unraced; dam of six winners from 8 runners and 11 foals of racing age includingplumb grey usa ; , won 18 races including regret h'p, gr.3; dam of winners. geothermal usa ; , won santa ysabel stakes, santa anita, r. test score usa ; , placed in u.s.a.; dam of score a birdie usa ; , won forego handicap, saratoga, gr.2 and second in vosburgh stakes, gr.1. plumb dangerous usa ; , placed once in u.s.a.; dam of winners. yakima prune usa ; , winner; dam of classy irene usa ; , won magnolia stakes, oaklawn pk, l., martha washington handicap, oaklawn pk, l.; third dam of adieu usa ; , won frizette stakes, gr.1. dangerous judge usa ; , winner in u.s.a.; grandam of aboriginal apex usa ; , won louisiana downs handicap, l., tri state handicap, ellis pk, l. twice ; , second in river city handicap, churchill downs, gr.3.
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Tarrin kael pyrosian chronicles book 1 tarrin's glare at his son was enough to make him flinch. "you try my patience, cub, " he warned. "i told you not to bother the animals here. they're all very dangerous. do you want to go home?" "actually, papa, you told us not to get within the length of our tails to any animals or insects, " jasana said clinically. "since eron didn't know it was there, it wasn't his fault." tarrin fixed an ugly stare at jasana, who averted her eyes. "i can do without you playing the lawyer, cub, " he told her in a dangerous tone. "oh, papa, it wasn't going to hurt me, " eron told his father dismissively. "and how do you know that?" tarrin asked. "because it didn't smell like it." tarrin was aware that eron's sense of smell was considered acute, even among werecats. that meant that to a human, his sense of smell would be beyond rational concepts. "that's no excuse, cub, " tarrin growled. "you don't know these animals, so you can't trust your nose." "but--" "do you want to argue with me, cub?" tarrin asked in a dangerous tone. "uh, no, " eron said submissively, averting his eyes. "wise, " allyn murmured under his breath. "i think you should have kedaira keep an eye on them, brother, " allia told him in selani. "she'd be a good nursemaid." "i think you're right, " he answered, glancing at the inu, which was hunkered down near the firepit. "i'll have a talk with her. she can keep the cubs out of trouble." the sandstorm gathered on the western horizon as they continued setting camp, and it looked to be a big one. it hit just at sunset, and eron and jasana were amazed and a little frightened by its power. they could see the sand and dust, and even small stones, being driven before a howling wind, a wind so loud that it made all their ears hurt until tarrin adjusted the ward to muffle the deafening sound. the fury of the desert awed the two children, to the point where all they could do was sit by the fire and stare at the raging sandstorm just on the other side of tarrin's ward. "wow, these happen all the time?" eron asked in wonder as a particularly big rock struck the ward. "this is a strong one, but yes, storms like this happen frequently, cubling, " allia answered him. "how do the plants and animals keep from getting swept away?" jasana asked. "the plants have very deep roots, " she replied. "and the animals know to take shelter. the small ones hide under rocks. animals like sukk and chisa and inu and draka take shelter behind rock spires or large boulders, and some animals are so large that they can't be picked up by the wind, like kajat and kusuk." tarrin had never seen a kusuk before, but he'd heard descriptions of them. they were monstrous armored animals, the size of kajat, that looked like gigantic armadillos, with tough armored hides and knobs of heavy bone growing at the end of a surprisingly long tail, which the animal wielded like a club to defend itself. they were indiginous to the southeastern tracts of the desert, the section of the desert tarrin had never visited. they also had draka down there, another animal he'd never seen, which was supposedly a large ant-like insectoid creature about the size of a pony which had been tamed by the southern clans to use as sentries.
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And contains a good segment about the special effects. there is a group commentary track with festa, stella and several of the filmmakers. they reminisce about the shoot, talk about the visual approach to the scenes, discuss the other performers and point out the many different rome locations. stella talks about the enthusiasm of her fans, and blows everyone an audio kiss, twice. several of the speakers have heavy italian accents, so you have to concentrate to follow what they are saying, but most of what they have to say is reasonably informative. fish out of water a very low budget science-fiction tale about a human, trained by aliens as a child, who is trying to adjust to life on earth, spaceman, has been released by palm pictures palm41112wr01, ; . set in chicago, the film has the look and pace of a very low budget effort. the image is soft and the rhythm is uneven. still, there is some humor to the effort. the hero begins with a job in a grocery store, but he is so used to life in a militaristic society that he has trouble relating to other people and is eventually fired. he also dresses oddly. finally recognizing his skills, he attempts to find a job as a hitman, but soon has the mob trying to rub him out, while the men in black also close in. though not slick, the performers are appealing and if the viewer is open to the premise and manner of the film, it can be entertaining. the picture is presented in letterboxed format only, with an aspect ratio of about 1.66: 1 and no 16: 9 enhancement. fleshtones are bland, but other hues look reasonably fresh. darker sequences are murkier than well-lit sequences. there is a 5.1-channel dolby digital soundtrack, though the film's sound mix is pretty basic. the 5.1 enhancement provides a distinctive dimensionality and brings strength to some modest separation effects. the 91-minute program is not captioned and comes with 5 minutes of deleted scenes and outtakes, a trailer, and a trivia game. the director, scott dikkers, provides a commentary track, and it is something that every independent, credit card-financing filmmaker is going to want to listen to. dikkers provides lots of advice, such as his recommendation that they should always get as much coverage in a scene as they can. he also says, "sound effects are the low-budget filmmaker's best friend, " and, sure enough, there is one exciting sequence involving a fight with metal pipes. it turns out that the pipes are just the cardboard centers of wrapping paper rolls, painted grey, and it is the performances and the clanging on the soundtrack that sell the sequence. he explains all the ways he cut costs and filmed on the cheap, how harrowing it was to have to shut down production for an extended length of time when he ran out of money he made the trailer with what he'd shot, and used that to raise more ; , how he hired homeless people as actors, although they were always trying to bum more money off of him one cast member could only be contacted by leaving a message with his parole officer ; and how dikkers' wife got so fed up she divorced him. it was a mess, but the dvd seems worth it. axe murders a nonsensical copycat slasher film from 1981, madman, has been released by anchor bay entertainment dv11613, ; . with a pulsing john carpenter-ish musical score, adult-looking teenagers and teenage-looking children at a friday the 13th-type camp are picked off by a burly bearded guy carrying an axe. in the same way that a copy of a copy loses detail, so, too, does the film not provide the same level of thrills or titillation as the films it is imitating--and it is just 86 minutes of the big guy emerging from the dark after the heroes have been wandering around or crying for a while, followed by a hokey close-up involving a lot of red paint. it's good for a laugh at parties, but not much else. the picture is presented in letterboxed format only, with an aspect ratio of about 1.85: 1 and no 16: 9 enhancement. the color transfer is probably pretty good, although the cinematography is very bland and dark sequences are somewhat murky. the monophonic sound is very dull and muted, to the point where listening to it can be irritating. the program is not captioned and comes with a trailer and several tv commercials. the dvd does have a rewarding group commentary track, featuring the director, joe giannone, the producer, gary sales, and stars tony fish and paul ehlers. they talk all about the ins and outs of low budget filmmaking the score, for example, was cheaper with one guy doing electronics than having a full orchestra play something ; , including great stories about how they secured their funding, how they found and used their location, how they lost a lead actress at the last and caribbean poker online or online poker site.
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The growth of the internet has been accompanied by a growing concern that addiction to this new computer technology may be increasing e.g., griffiths, 1996; murray, 1996a, 1996b ; o'neill, 1995; o'reilly, 1996, 1997; young, 1996a; young & rogers, 1998 ; . o'reilly 1996; 1997 ; , young 1996a; 1998 ; and young & rogers 1998 ; have suggested that excessive use of the internet is related to the development of "internet addiction, " "internet addiction disorder, " and "pathological internet use." according to young, for example, these problems reflect a user's loss of control over internet use, increasing involvement with the internet, and an inability to stop this involvement in spite of adverse consequences associated with such use. for example, people struggling with "internet addiction" report a compelling need to devote significant amounts of time to checking e-mail, participating in on-line chat rooms, or surfing the web even though these activities cause them to neglect family, work or school obligations e.g., young, 1998 ; . since there have been no epidemiological studies of intemperate computer users, the prevalence of this pattern of behavior is unknown. however, proponents of the "internet addiction" construct suggest that the problem is growing as more people have access to the internet and its associated computer technology. nevertheless, it has not been established whether excessive internet or computer use causes or reflects psychopathology young & rogers, 1998 ; . if internet or computer "addiction" is similar to drug addiction e.g., cocaine or alcohol dependence ; , then it is likely that psychopathology disproportionately precedes excessive involvement with the technology e.g., r. c. kessler et al., 1996; shaffer & eber, 2002 ; . similarly, it is not clear whether this behavior represents an uncontrolled habit or an uncontrollable impulse e.g., davies, 1996 ; . finally, since scientists have not been able to establish whether using computers stimulates addiction more than using computers connected to the internet, it has not been demonstrated that gambling on computers or gambling on computers connected to the internet present different levels of risk for gambling-related addiction. it follows, then, that there is no evidence that using computers to gamble is less risky than using computers to gamble when these computers are connected to the internet. the causal complexity surrounding the construct of addiction confronts researchers and public policy makers with a formidable investigative task. conceptual confusion about the term "addiction" makes the determination of associated psychopathology even more difficult. although largely ignored to date, theoretical problems distract scientists who become interested in studying excessive internet use in general and excessive internet related gambling from develop10 and chips poker used.
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May 25-june4 - june 15-18 borderlands theater presents "el deseo desire" by victor hugo at the beowulf alley theatre, 11 s. 6th ave. tuesdays-saturdays 7: 30 p.m. sunday matinees at 2: 00 p.m. tickets - .75 at antigone books, 792-3715; yoli's music, 620-0830 and borderlands theater office 882-7406. susan, a middle aged american professor and victor, a young working-class columbian, fall passionately in love. their lives will change forever as their unbridled sexual desire and love intertwine with profound differences in age, culture and class. now playing thru june 4 the invisible theatre presents "cookin' with gus" a hilarious comedy written by jim brochu. tuesday, wednesdays and thursdays 7: 30 p.m. fridays and saturdays 8: 00 p.m. sundays 2: 00 p.m. tickets . call 882-9721 for reservations and information. 1400 n. first ave. at drachman ; . now playing thru may 27 gaslight theatre presents "the three musketeers", at 7010 e. broadway. show times are 7: 00 p.m and bond chips james poker.
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